viz.

How does the space in which protest art appears affect the ways in which people respond to it? Or, even, if they see it as a protest at all?


In my class the other day, we talked about protest art. Among other things (Shepard Fairey), we looked at anti-war peace protester Brian Haw. Haw has lived in a peace camp in Parliament Square in Britain since June 2, 2001, remaining at the site full time, leaving only for court appearances.

Easter is one of those odd holy days turned secular holidays that creates a lot of incongruous images. Why do we have baskets with marshmallow bunnies instead of a nougat filled crucifix? Perhaps it is that kind of visual confusion that lead a group of protestors to create a new kind of visual Easter mix up.

On Sunday , a group calling themselves Catholic Schoolgirls Against the War stood up in Chicago’s Holy Name Cathedral right before Cardinal Francis George’s homily and sprayed stage blood on themselves and other worshipers. The gaps between visual display and reality are as confused here as they are between the Easter story and Peeps.