viz.

I just finished reading an article in The New Yorker about HBO's The Wire, a gritty drama set in the city of Baltimore. Each season the show focuses on a different aspect of the city, beginning with drug dealers on the streets and gradually moving outwards to include the labor unions at the docks, the politicans, and in its fifth and final season, the news and those who cover it. More often than not, the shows paints an image of the city that is grim and hopeless.

I live on a one way street so I’ve always viewed the “One Way” signs in my neighborhood as good information for motorists and visitors. They are excellent reminders to people that cars should only face east on Washington Street. But this altered image (actually from one block over on Madison Street, where cars travel west) reminds us that street signs are not merely about expressing information about traffic patterns; they are also the banal markers that inform us about the presence of the state’s authority.